
ESSAYS

So You Want a Definition of Fascism
Slavery existed before we named the system; the idea of stolen labor a fundamental principle to the ideology of the capitalist, yet predating the invention of the definition by millennia. In fact, it was chattel slavery, the reduction of human beings to a class of livestock, which truly sowed the seeds for what Capitalism is today. Indeed, the East India Trading Company was established in 1600 and what, if not capitalist, was it if not the seizure of the means of production and distribution from the commoner for the benefit of the lords and financiers of Europe? What was the Slave Triangle if not the express theft of the means of production in its rawest form for the use of landed elites in both the Old World and New?

Why the DNC Left the Left
“…establishment Democrats have done much worse, shedding any presuppositions of their Progressivism and exposing themselves for the blood-thirsty, virtue-signaling imperialist they have always been.”

What Is Lesser About Genocide?
You cannot endorse a President directly supplying bombs to kill women and children while proclaiming Progressive values.
Discover the emerging Neo-Americana literary movement that's revolutionizing contemporary American fiction through innovative ergodic storytelling techniques. This comprehensive analysis by Daniel Woods explores how authors are integrating authentic historical documentation—primary sources, photographs, government documents—directly into fictional narratives to create revolutionary reading experiences.
Learn how Neo-Americana differs from traditional American literature, why ergodic theory matters for modern storytelling, and how this movement resists institutional sanitization through randomized distribution methods. Woods examines the historical context from Mark Twain to John Steinbeck, explaining how contemporary authors can avoid the co-optation that neutralized previous literary movements.
Essential topics covered: ergodic literature theory, historical fiction methodology, anti-establishment writing techniques, temporal architecture in storytelling, and the future of politically engaged American literature.
Perfect for literary theory students, contemporary fiction writers, and American literature enthusiasts.